Six numbered sequences of paper lithographs, each 5–9 prints, on colored paper (21 × 29.7 cm).

A single motif is repeated while the printing matrix progressively tears and weakens, culminating in a final print from a heavily ruptured plate.

STABLE EROSION employs a progressive destruction protocol. A single photographic matrix of geological formations is repeatedly printed. With each print cycle, the lithographic plate degrades, ink fills cracks, emulsion deteriorates, until the plate finally ruptures beyond recovery.

The work explores controlled entropy as artistic method. The material deterioration of the printing surface becomes visible as formal language and reflects on loss as individual experience as well as the embodied limits inherent to physical processes. The series explores the body and materiality of the physical printmaking process against the seamless, limitless aesthetics of AI-generated imagery.